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TAPS's 'For Now': A theatrical respite from toxic productivity

Por um escritor misterioso

Descrição
Inspired by Jenny Odell's New York Times bestseller "How to Do Nothing," the devised play challenged productivity culture and urged the audience to live in the present, writes Kearns.
TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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TAPS's 'For Now': A theatrical respite from toxic productivity
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